The Cat Who Went To Heaven Book Summary – “The Cat-Drawn Boy” (Japanese: 猫手いい少年, Hepburn: Neko wo egaita shōn) is a Japanese fairy tale translated by Lafcadio Hearn published in 1898 as number 23 of Hasegawa Takejirō’s Japanese Fairy Tale Series.

Printing it on plain paper, as in the rest of the series, was not subject to Hearn’s permission; This book became the first of five volumes printed on copy paper by Hearn.

The Cat Who Went To Heaven Book Summary

In a small village lived a farmer and his wife. They have many children who are capable of farming, except for the youngest, who is intelligent but not fit for hard work. The sections decided that the boy would be better off becoming a monk, and accepted him as an excellent student in training under the old abbot of the village monastery. The boy is as talented as a stooge, but the edges of the books, He had a habit of drawing cats everywhere, including church pillars and dance halls.

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The boy did not want to go back to his father’s farm for fear of punishment, so he went to a temple in a nearby village twelve miles away, unnoticed by all the monks who lived there. A long time ago, a giant goblin rat chased away, and many heroes went missing after trying to eradicate the goblins at night. The boy is sent to a dusty, slippery desert temple. But he finds plenty of white scale to draw on, and a writing box (with a brush) scrapes some ink (i.e. ground ink on an inkstone) and draws the cats.

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Drowsily, he was about to fall asleep, but he remembered the old monk’s words and climbed inside a small closet to sleep. At night, he hears terrifying screams and the sounds of battle. When he finally came out in the morning, he found the corpse of the ink rat. As he wonders what could have killed him, he notices that all of his cats are bleeding from their mouths. He was hailed as a hero who defeated the monster and became a famous artist.

This tale was popularized from Tohoku to the Chugoku and Shikoku regions under the title eko to Nezumi (絵猫と鼠, “The Picture-Cats and the Rat”).

Lafcadio Hearn’s version is a retelling and suggests that there is no “exactly attached original Japanese story”.

Elizabeth Coatsworth & Lynd Ward (illustrator), “the Cat Who Went To Heaven,” Ny: Macmillan, 1931

So “in his brilliant edition, Lafcadio Hearn retells it with a thrilling ghostly touch. In the original story, the Acolyte becomes the abbot of the temple after a fire, but in Hearn’s version, he becomes a famous artist”.

The legs around emint inkbrush artist priest Sesshū as a young acolyte are compared to this folklore.

Although the artist selection is not the author/translator. Kason’s [ja] painting is an idealistic painting, as in the illustration showing a large dead rat, which may have been appalling to the taste of American readers.

The story is the second of 51 stories in the 1960 book; All Cats go Heaven. This timeless fable has been a classic since it was first published in 1930. This beautifully reimagined edition brings the magic and wonder of the tale to life. A new generation of readers.

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In ancient Japan, a struggling artist is enraged when his landlord brings home a white cat he can barely afford to feed. But when the village priests give him a healthy painting, he softens towards the animal, which the artist believes brings him good luck.

According to legend, the proud and haughty cat was denied the Buddha’s blessing for not accepting his teachings and bowing down. So the artist, moved by pity for his pet, rejects the priest’s order that the cat be destroyed when his painting appears. The artist’s life also seems doomed until his love is rewarded by a Buddhist miracle.

Elizabeth Jane Coatsworth is a writer of fiction and poetry for children and adults. She received the 1931 Newbery Medal from the American Library Association, recognizing The Cat Who Went to Heaven as the previous year’s “most distinguished contribution to American literature for children.”

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