How Much Did Ian Ziering Make For Sharknado – The actor told CBS News’ Lauren Moraski why the script for the third “Sharknado” read like “200 million dollars” and how his time on “The Celebrity Apprentice” inspired him to do more.

Ian Ziering may have been fired from “The Celebrity Apprentice” earlier this week, but he has another job lined up.

How Much Did Ian Ziering Make For Sharknado

The former “Beverly Hills, 90210” star is preparing to shoot the third installment in the popular Syfy series. The first made-for-TV movie took place in Los Angeles, the second in New York, and “Sharknado 3” is about to wreak havoc across the Eastern Seaboard.

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“This is a campy science fiction film made with a very low budget. Therefore, the organic ability is not the quality content that you might expect from a James Cameron film …. This is fun, where everyone is in. Funny – except the actors,” he said laughing. “We all take it very seriously. You have to act naturally in this fantasy situation no matter how crazy it is because if you don’t, the audience knows you’re in on the joke. And it loses its fun.”

Tara Reid will also return for “Sharknado 3,” and Ziering says a host of actors are interested in joining for cameos. The second film stars the likes of Kelly Osbourne, Matt Lauer and Judd Hirsch – and Ziering says fans can expect more surprises.

Ian Ziering, as Fin Shepard, fights a shark in the New York City subway in a scene from “Sharknado 2: The Second One.” AP/Syfy

The first two versions became huge hits on social media, and Syfy is the third bank will, too.

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“There were over a billion — a billion! — tweets for ‘Sharknado 2.’ They’re still coming,” Ziering said. “With that kind of presence on social media, it drives the market. Therefore, people want to stick to something regardless of its nature – which is very popular.”

Ziering has read the script and said it “read like a $200 million blockbuster … I think ‘2’ is ambitious, but ‘3’ – it knocks it out of the park.”

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Ziering believes that if the writers and producers continue to do what they are doing, he envisions more “Sharknados.”

Before that, Ziering will return to NBC for the finale of “The Celebrity Apprentice” in April — when the winner is announced.

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Although he was eliminated from the show, Ziering said he was grateful for the experience — though admitted it was hard work.

“I haven’t seen the edited version at all,” said Ziering, who watched each week for the first time with the rest of the audience. We work six days a week, often sleeping only five hours a night. And it is very difficult. It was like 6 weeks of no sleep, physical fatigue and mental endurance, but it was worth it because I was able to raise a lot of money for EB.”

EB stands for Epidermolysis Bullosa, a group of diseases characterized by the formation of blisters after minor trauma to the skin. Because of his time on “The Apprentice,” Ziering, 50, raised $320,000 for the Epidermolysis Bullosa Medical Research Foundation.

Ziering said he has made a lot of good friends from the show, even reminding us that he was in it to win at the beginning; He based a lot of his actions on strategy.

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“This is all about playing games… at some point I have to change things and start shocking people,” he said. “Only I can rattle their cage a little and let them off guard.

Now he’s shifting gears a bit to focus on the recent launch of Chainsaw, his new clothing brand inspired by both his life and involvement in “Sharknado.” He says it’s sportswear and casual wear that can be easily worn from work to going out.

He also created a signature line where a large portion of the proceeds will go to “do good things for others” — a move inspired by his role on “The Celebrity Apprentice.”

“What I’ve found in being on the show is that if you persevere and you set your sights on a goal, you can achieve the success you’re looking for. It’s just not giving up … and keep moving toward the goal,” he said. Get our free weekly email for all the latest movie news from our movie critic Clarisse Loughrey Get our free The Life Cinematic email.

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Nearly 40 years after Jaws became the first summer blockbuster in 1975, the first film to top $100 million at the American box office and rested at the top of the charts for 14 consecutive weeks, a whole different tale of sharks promises to send waves through the ring. The film industry by defining how success is measured. Sharknado, a made-for-TV movie about a shark transported from the Gulf of Mexico to Los Angeles in a tornado and attacking the city from the sky, aired last week on the American Syfy channel. With 1.4 million viewers, the schlocky picture would have disappeared without much fanfare if it weren’t for the unprecedented interest in the film on Twitter.

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While the film aired, the public was tweeting with gusto. Mia Farrow posted a photo of herself and novelist Philip Roth having lunch, joking, “We’re watching #Sharknado”, Olivia Wilde said she’s currently filming the movie on Farrow’s advice while Elizabeth Banks joked “There goes my Emmy”, when the sequel starring Wilde and Farrow was shown. Comedian Patton Oswalt made the cut, as did Lost co-creator Damon Lindelof.

Syfy channel owner NBC Universal reported that Sharknado has become “the most social program on all of television — broadcast and cable — as well as Syfy’s most social television.”

At its peak there were 5,000 tweets per minute and 318,232 tweets about Sharknado were made while it was on air. More than 100,000 different tweeters contributed to the phenomenon.

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Twitter has revealed its own analysis of the phenomenon that includes the comments of Craig Engler, senior vice president of Syfy, noting that about 20 minutes before the film aired they saw an exciting activity about the shark attack and they jumped into the conversation a lot. Because they can.

The tweeting started to cause a storm when Lost co-creator Damon Lindelof first started tweeting and then Star Trek: The Next Generation actor Will Wheaton, who has 2.4 million followers, started posting. He began with a countdown, before adding as the film began: “We have SHARKNADO. I repeat we have SharKNADO. This is not a rehearsal.”

Sharknado suddenly became a movie that everyone wanted to talk about, even if few watched it. Google search Sharknado and there are about 14 million results.

Sharknado isn’t as bad as one might expect from an idea that seems to be on the back of a pack of cigarettes after a long night out. It stars Ian Ziering, Cassie Scerbo and Tara Reid – yes! – One from American Pie and Scrubs. Ziering plays Fin, a former surfer and now bar manager who, along with barmaid Novo (Scerbo), heads to the home of Fin’s angry ex-wife April (Tara Reid) to save her daughter when they realize something unusual is going on. Fish.

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The scary CGI looks like it was designed on a home PC in 1984. But what the movie does have are some weird lines combined with some funny social commentary – one character is convinced that the Sharknados are part of a government conspiracy. When the sharks finally attack and a helicopter is sent up to help fight them off, the bikini-clad Nova shouts, ‘We’re going to need a bigger chop’. Sharknado is meant to be seen ironically, as a spoof of disaster movies, where poor quality is a unique selling point.

The reaction and reporting of the social media phenomenon has indicated a sea change in traditional measures of success such as box office numbers and audience numbers. The important thing is that Sharknado is mentioned. The media quickly jumped on the audience-led bandwagon, reporting the phenomenon, and soon a sequel to Sharknado was in the works.

The beauty of the movie is that watching is not necessary. Even the main actor Ziering admitted that he was working on The Chippendales, so he taped the film to watch later. To enjoy Sharknado you just need to be able to comment online. Reading audience reactions and comments has become an event.

What is clear is that the audience’s appetite for cheaply produced films and poor performances is not satisfied, and every film, such as Plan 9 From Outer Space, Bad Taste and now Sharknado, will capture the imagination of the public at large.

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“Oh, sure, it’s easy to pick holes in the story about the climate system that makes it possible for sharks to fly and go down the street, but that’s the whole point of a movie like this: amazing domestic commentary.

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