How Much Money Did The Movie Frozen Make – Blockbusters like ‘Frozen 2’ made Disney the first studio to earn $10 billion at the global box office in a single year

Now that “Frozen 2” has grossed $1.032 billion worldwide, House of Mouse’s total box office has crossed the $10 billion mark, making it the first movie studio to do so in a single year. That broke the previous record of $7.6 billion, which was set in 2016 by “Captain America: Civil War,” “Finding Dory,” the live-action remake of “The Jungle Book,” and “Rogue One.”

How Much Money Did The Movie Frozen Make

And the sequel to the 2013 animated film is the sixth Disney film to gross more than $1 billion this year, joining blockbusters including “Avengers: Endgame” ($2.798 billion), “The Lion King” ($1.656 billion), “Captain Marvel” ($1.130 billion), “Toy Story 4” ($1.074 billion) and “Aladdin” ($1.051 billion) in Disney’s dominance of theaters. Indeed, the Walt Disney Co. DIS, +0.68% accounted for about half of all ticket sales in the U.S. and Canada over the summer, bolstering an otherwise weak box office; by the way, summer ticket sales ended 2% lower than last year.

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Note for Spider-Man fans: While Tom Holland’s webslinger is part of the Disney-owned Marvel Cinematic Universe, and the MCU and Sony US:SNE  co-produced “Spider-Man: Far From Home,” the rights to the character are still owned by Sony . That’s why this year’s $1.131 billion “Far From Home” haul is not going toward Disney’s total. (Read more about Disney and Sony’s awkward Spidey situation here.)

Moreover, Disney still has another ace up its sleeve: “Star Wars: The Rise of Skywalker,” which opens this Friday. The hotly anticipated finale to the Skywalker saga, which began with “A New Hope” in 1977, could become the seventh of her films to reach $1 billion by the end of the year, another record. Advance ticket sales are already pointing to an opening weekend in the $205 million range.

And if you count Fox titles like “X-Men: Dark Phoenix” ($252 million) and “Ford v. Ferrari” ($167 million) following Disney’s $71 billion acquisition of 20th Century Fox earlier this year, then the studio’s worldwide box office total is already closer to $12 billion.

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It’s been a magical year for the company, which reportedly amassed 10 million Disney+ subscribers in just 24 hours when it launched its signature streaming service in November — sending its stock price to an all-time high on Nov. 14. “The Mandalorian” was an early Disney+ hit, with the popular Baby Yoda character becoming a must-have toy for the 2019 holiday season.

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But Disney likely won’t be able to match this record-breaking success at the box office next year, with no planned sequels like “Frozen 2” or finales like “Avengers: Endgame” and “The Rise of Skywalker.” . Films on deck include a live-action remake of “Mulan” in March; Marvel’s “Black Widow” in May; and “Jungle Cruise,” an action film based on the Disney theme park ride of the same name, starring Rock and Emily Blunt, due out in July.

This story was originally published on December 10, 2019, and has been updated with the latest ticket sales for “Frozen 2” and “Maleficent: Mistress of Evil.”

Supreme Court agrees to hear case on taxation of paper profits. That could be a $300 billion judgment. Disney’s next big animated film, Frozen II, is expected to be a big hit at the box office. But how much money is expected from the film?

Variety has an early estimate of box office tracking. They suggest the film will earn more than $100 million in its opening weekend, which would make it the biggest opening weekend for a Walt Disney Animation film ever – Pixar films are counted separately. Zootopia is the current leader with $75.1 million.

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By comparison, the original 2013 Frozen grossed $67.4 million in its opening weekend and a total of $93.6 million for the five-day Thanksgiving period. Frozen ended its theatrical run with a whopping $1.3 billion globally. It remains the highest gross for an animated film of all time.

Frozen II will be a huge success in part due to reduced demand. After all, it’s been six years since the first movie came out and made “Let It Go” and “Do You Want to Build a Snowman?” some of the most popular and ubiquitous songs on Earth.

Kristen Bell and Idina Menzel return to Frozen II to voice sisters Anna and Elsa. Kristoff (Jonathan Groff) and Olaf (Josh Gad) also return, along with new characters. The original film’s directors, Jennifer Lee and Chris Buck, also returned for the sequel, as did Kristen Anderson-Lopez and Robert Lopez, who wrote the score.

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The products discussed here have been independently selected by our editors. you can get a share of the revenue if you buy anything featured on our site. Movie review: ‘Frozen II’ doesn’t make waves, but keeps the franchise on track Parents may be pleased to discover that the catchiest song on the soundtrack is Elsa’s belt.

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Disney’s 2013 animated film “Frozen,” inspired by Hans Christian Andersen’s “The Snow Queen,” wasn’t just a hit. It was a cultural tidal wave, a ubiquitous phenomenon thanks to Robert Lopez and Kristen Anderson-Lopez’s big songs, especially the inescapable Oscar-winning “Let It Go,” backed by Broadway powerhouse Idina Menzel. Six years later, Elsa Halloween costumes have yet to cool off. So when it comes to the sequel, the only mandate is, “Don’t mess it up.”

The good news is that they didn’t. Bad news? That’s about it. “Frozen II” isn’t some giant leap forward for the “Frozen” universe, it just keeps the franchise on track. For many, that will be fine: more adventures of Elsa (Menzel), Anna (Kristen Bell), Olaf (Josh Gad) and Kristoff (Jonathan Groff). But the film has all the durability of a flake: it evaporates almost on contact.

Once again under the direction of Jennifer Lee and Chris Buck, “Frozen II” just floats comfortably in and out of our consciousness, a diverting way to spend an hour and 43 minutes with great tunes and wonderful snowy scenery to behold (just wait until the kids arrive with a load of Elsa’s new icy horse). Of course it will be etched in the brains of parents and children after their millionth viewing. And it’s enjoyable and funny enough to be tolerated so many times, which seems to be what it was designed for.

What made “Frozen” quite revolutionary was its sister story that resonated with so many people who were tired of watching the same old story of a princess rescued by a prince. A princess saved by a princess? Now there’s an idea. The snowy story of the sisters powered by power ballads is infectious, and Disney didn’t mess with the formula too much.

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Elsa is now queen of Arendelle, playing charades with her sister, Kristoff and Olaf, enjoying a little domestic bliss. Like almost every animated hero, Disney and otherwise, there’s a bit of a sing-song about how great things are where they are right now, which is of course thwarted by an existential threat. Elsa was tormented by a mysterious voice from the forest, combined with bad weather. Remembering a folk song her mother (Evan Rachel Wood) sang about memories in an ancient river, she decides to delve into the history of her ancestors to discover the source of the voice, save Arendelle, and free the forest from the persistent fog. She does so, of course, with her sister, her sister’s boyfriend, their snowman and reindeer in tow. Isolationist Elsa insists she must travel alone, but like all emotionally healthy, therapeutic Disney heroines of late, she learns she can’t do it alone and accepts Anna’s help.

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Kristen Anderson-Lopez and Robert Lopez’s songs are, of course, insane, and parents might be pleased to discover that the catchiest song on the soundtrack isn’t an Elsa belter, but a perfect ’80s power ballad sung by Kristoff (get those karaoke tubes ready) . If only the rest of the film was more memorable. It’s not a disappointment by any means. It’s what you expect from the characters and the world, and it will get the job done. But the biggest enthusiasm one can muster for “Frozen II” is that it’s perfectly adequate, unlikely to create the seismic cultural shift of its predecessor. The Walt Disney Company used its annual shareholder meeting on Thursday to make several movie announcements, the biggest of which was a big-screen sequel to “Frozen,” the animated musical that grossed more than $1.3 billion worldwide in 2013.

Disney did not provide details on the story or release date, but said that the directors and producers of the first film will return for the second.

The sequel helps ensure the long-term viability of what has become one of Disney’s most important franchises. Sales of “Frozen”-related merchandise now total roughly $1 billion a year, helping Disney make a record $7.5 billion profit last year. “Frozen” is also being fast-tracked for Broadway, and a theme park attraction in Florida is in the works.

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“We’re going back to Arendelle,” John Lasseter, chief creative officer for Walt

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